
No te supe perder
2018

Representation Score
Fair
2002
Director
Miguel Albaladejo
Runtime
106 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Rancour is a character-driven drama that finds its strength in psychological complexity and the subversion of standard interpersonal dynamics. By centering the plot on Chelo's active role, the film avoids traditional clichés where women are passive subjects of male-driven conflict. However, the film lacks significant markers of identity-based diversity. The narrative remains focused on a localized, straight-centered social framework, offering little representation for LGBTQ+ or diverse ethnic groups. Ultimately, the film functions as a cynical study of human frailty and moral ambiguity rather than a diverse social tapestry.
Category Breakdown
The film centers on romantic tensions between Chelo, Toni, and Esther, which are based on the assumption that everyone is straight or cisgender. There are no visible representations of LGBTQ+ identities beyond these heterosexual relationships.
Chelo Zamora is a strong, active protagonist who drives the plot forward. She is the architect of the film's central tension and is not a passive observer.
Set in the Mediterranean town of Cullera, Spain, the film lacks evidence of casting actors from diverse backgrounds. The ensemble reflects a localized social environment.
The story explores subjective morality and the breakdown of interpersonal stability. It prioritizes individual impulses and situational ethics over traditional social cohesion.
The film does not include any characters with physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
When Chelo Zamora, middling singer, agreed to spend the summer working in restaurants in the Valencian beach Cullera, could not imagine being reunited with Toni, a guy who shares a dark past. Moved by his desire for revenge, Chelo attempt to ruin his life: get him to break with his girlfriend Esther, who loses his job and returning the police on her trail.

2018

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