
Losing In Love
2017

2017
Director
Jerry J. White III
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
A young woman breaks things off with her boyfriend but finds out the universe has other plans. Desperate to move on, she is forced to literally relive the memories they’ve shared together. Pin-balling through time and space, she attempts to rewrite their shared history in hopes that she can find the man with whom she first fell in love.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story centers on a heterosexual romantic arc between a woman and her boyfriend. There is no explicit evidence of queer narratives or non-cisnormative identities within the established plot.
Gender Representation
The female protagonist drives the plot with high agency. She actively uses a metaphysical mechanism to navigate her history rather than remaining a passive participant in the breakup.
Racial & Ethnic Diversity
The available details do not provide sufficient information regarding the racial composition of the ensemble. It is impossible to analyze specific ethnic identities or systemic representation.
Religious & Cultural Diversity
The film explores the subjectivity of truth and moral relativism. By treating the past as malleable, the narrative disrupts conventional notions of objective, unchangeable history.
Disability Representation
There is no evidence that neurodivergence, mental health, or physical disabilities serve as primary narrative drivers or central to the character arcs.
Strengths
Areas for Improvement
AI Analysis
This film functions as a character study focused on the subjective nature of memory and romantic history. It utilizes a speculative, non-linear structure to examine how individuals attempt to reconstruct their pasts. The narrative grants the female lead significant psychological autonomy, positioning her as the active force in her own emotional journey. However, the story remains rooted in a conventional romantic framework. While the film offers a sophisticated approach to storytelling through its postmodern themes, it lacks explicit evidence of broad intersectional representation across race or identity.

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