
Venice 70: Future Reloaded
2013

Representation Score
Good
2011
Director
Kim Jee-woon, Ari Alexander Ergis Magnússon, Woo Ming Jin, Ronni Shendar, Rafi Pitts, Moon Kyung-won, Jorge Michel Grau, Pen-Ek Ratanaruang, Jes Benstock, Jussi Jaakola, Jussi Reittu, Ville Kerimaa, Vimukthi Jayasundara, Viktor Kaganovich, Veiko Õunpuu, Gakuryu Ishii, Mart Taniel, Simon Rumley, Bruce McClure, Jeon Kyu-hwan, Albert Serra, Tolga Karaçelik, Adam Wingard, Ken Jacobs, Dalpalan, Mark Boswell, Park Chan-wook, Marina Manushenko, Michael Glawogger, Feyyaz, Aku Louhimies, Amir Naderi, Tom Tykwer, Brian Yuzna, Malcolm Le Grice, Norbert Shieh, Mika Taanila, Eric Khoo, Shinji Aoyama, Maxì Dejoie, Andres Tenusaar, Edmund Yeo, Phie Ambo, Jan Ijäs, Kanakan-Balintagos, Naomi Kawase, Mark Cousins, Gustav Deutsch, Gereon Wetzel, Hafsteinn Gunnar Sigurðsson, Brillante Ma Mendoza, Arda Büyükata
Runtime
60 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This anthology functions as a global cinematic experiment, using 51 international directors to explore the fleeting nature of film. Its strength lies in its radical decentralization, moving away from Western-centric views to embrace a mosaic of global aesthetics. The film's structure replaces a single authoritative voice with a plurality of perspectives. This approach effectively challenges traditional hierarchies of film history and authorship through its diverse directorial lineup. While the brief segments limit deep character analysis, the overall composition ensures a high level of racial and cultural representation.
Category Breakdown
The short vignettes make it hard to follow specific character arcs or romantic stories. However, the experimental format of the anthology breaks away from traditional storytelling focused on straight relationships.
The film avoids a single male-dominated perspective by featuring prominent female directors like Naomi Kawase and Brillante Ma Mendoza. This decentralized approach challenges traditional gender hierarchies and the idea of a 'great man' in history.
The work stands out by decentralizing the cinematic focus through a global team of directors. It includes a wide range of identities, such as those from South Korea, Southeast Asia, and Europe.
The anthology rejects Western cultural dominance in favor of a diverse, global perspective. It emphasizes a multi-vocal viewpoint that questions the authority of traditional Western media institutions.
There is not enough information to evaluate the portrayal of disabilities. The focus remains on the film medium itself rather than character-driven narratives.
Present on Screen
Limited or Absent
Official Synopsis
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

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