
Riot on 42nd St.
1987

Representation Score
Limited
2003
RDirector
John N. Perez
Average Rating
No ratings yetNew Showbiz Analysis
Taking the Westside follows a conventional dramatic structure centered on individualistic vengeance. The film's structure revolves around a singular male protagonist, limiting the scope for diverse perspectives or multi-layered complexity. The narrative lacks visible signs of disrupting social hierarchies. Without specific details on the ensemble or casting, the film seems to rely heavily on established cinematic clichés of retribution. Overall, the film provides a narrow focus on a revenge-driven plot, offering little evidence of progressive representation or diverse character's ability to drive the story.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or representations of non-straight relationships. While it avoids actively negative portrayals, there is no visible representation within the story.
The story centers around a single male protagonist following a traditional revenge storyline. It relies on conventional masculine themes of retribution rather than challenging gender hierarchies.
The setting hints at an urban or underrepresented area, but specific casting details are unknown. There is no information on the racial makeup or character roles.
The narrative focuses on personal vengeance and moral absolutes. It does not critique Western institutions and instead adheres to traditional, violent moral frameworks.
There is no mention of characters with physical, neurodivergent, or mental health disabilities in the synopsis.
Present on Screen
Limited or Absent
Official Synopsis
Fifteen years is a long time to contemplate revenge -- and that's precisely how long a recently released ex-convict has had to think about the folks who landed him in the big house. Now, he's out and ready to take action.

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