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The Wind Will Carry Us

Name: The Wind Will Carry Us
Director: Abbas Kiarostami
Released: 1999
Duration: 118 min

Representation Score

2.9/10

Limited

1999

Director

Abbas Kiarostami

Runtime

118 minutes

Average Rating

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New Showbiz Analysis

The film stands out in its cultural critique, using a meta-fictional approach to challenge how external observers interact with local communities. By focusing on a Kurdish-Iranian village, it effectively disrupts Western-centric narrative norms. However, the film adheres to traditional social hierarchies. Gender representation is limited, as the narrative observes rather than challenges the existing divide between male public roles and female domestic roles. Overall, the work offers a sophisticated examination of power dynamics. It prioritizes a deep, nuanced exploration of cultural authenticity and the ethics of the observer over broad inclusivity.

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Category Breakdown

Does The Wind Will Carry Us have LGBTQ+ representation?

Minimal

The film does not include any LGBTQ+ characters or narratives. It focuses on traditional rural Kurdish settings without exploring non-straight identities.

How does The Wind Will Carry Us portray gender?

Limited

Gender roles in the film reflect traditional rural Kurdish society. Men are shown in professional and public roles, while women are primarily depicted within domestic and communal contexts.

How racially and ethnically diverse is The Wind Will Carry Us?

Good

The film centers on a non-Western, rural Kurdish-Iranian community. This focus challenges global cinematic norms by highlighting a culture often sidelined in mainstream media.

How does The Wind Will Carry Us represent religion and culture?

Good

Kiarostami critiques the 'outsider gaze' by emphasizing the villagers' lived experiences over the film crew's goals. The religious figure is portrayed through an observational, non-judgmental lens.

Does The Wind Will Carry Us include disability representation?

Minimal

There are no significant or identifiable depictions of visible or invisible disabilities in the film.

Present on Screen

Challenges Western-centric cinematic norms by centering a rural Kurdish-Iranian community.
Provides a sophisticated critique of the 'outsider gaze' and media extraction.
Offers a nuanced, observational look at a culture often underrepresented in global narratives.

Limited or Absent

Lacks representation of LGBTQ+ identities or non-straight narratives.
Maintains traditional gender hierarchies without attempting to challenge them.
Provides no visible or invisible depictions of disability.

Official Synopsis

Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.

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