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Almost Nothing

Name: Almost Nothing
Director: Sérgio Rezende
Released: 2000
Duration: 100 min

Representation Score

4.4/10

Fair

2000

Director

Sérgio Rezende

Runtime

100 minutes

Average Rating

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New Showbiz Analysis

Almost Nothing is a gritty, regionalist character study that avoids idealized heroism. It uses a triptych structure to explore human frailty through themes of envy, obsession, and vengeance within the Brazilian countryside. The film's strength lies in its refusal to follow sanitized narrative structures, offering a dark, nuanced examination of the human condition. However, the work lacks explicit markers of progressive identity politics. The focus remains heavily on traditional masculine archetypes and male-driven motivations, leaving little room for diverse social perspectives.

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Category Breakdown

Does Almost Nothing have LGBTQ+ representation?

Limited

The film focuses on traditional masculine roles like weeders and cowboys. It does not include non-cisgender identities or narratives that question the assumption that everyone is straight.

How does Almost Nothing portray gender?

Fair

The plots are driven by male characters, emphasizing envy and revenge. Women play crucial roles in the emotional stakes but often act as catalysts for male actions.

How racially and ethnically diverse is Almost Nothing?

Fair

Set in the Brazilian countryside, the film highlights local ethnic and cultural elements. It avoids a Westernized aesthetic, focusing instead on the unique cultural landscape.

How does Almost Nothing represent religion and culture?

Good

The triptych structure explores complex ethical dilemmas and psychological realism. It challenges idealized views of rural life by focusing on tensions and interpersonal dysfunction.

Does Almost Nothing include disability representation?

Minimal

The film does not depict physical or neurodivergent disabilities.

Present on Screen

Offers a nuanced, non-traditional view of human behavior through complex ethical dilemmas.
Challenges romanticized pastoral clichés by presenting a realistic, tense rural landscape.
Avoids mainstream crime drama clichés by focusing on fragmented, localized studies of human frailty.

Limited or Absent

Lacks explicit representation of LGBTQ+ identities or non-cisgender narratives.
Female characters primarily serve as emotional catalysts for male-driven plots rather than independent agents.
Provides no visible representation of physical or neurodivergent disabilities.

Official Synopsis

Three stories set on Brazil countryside. In Foice, a weeder becomes head of his group and awakes the envy of his best friend. In Veneno, a cowboy cannot sleep, waiting for the revenge from a enemy of the past. And in Machado, a quiet and rude rose maker decides to end his wife's joy of living.

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