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Things

Name: Things
Director: Dennis Devine, Jay Woelfel, Eugene James
Released: 1993
Duration: 81 min

Representation Score

1.7/10

Minimal

1993

Not Rated

Director

Dennis Devine, Jay Woelfel, Eugene James

Runtime

81 minutes

Average Rating

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New Showbiz Analysis

Things is a character-driven psychological horror film that prioritizes domestic conflict over social commentary. The narrative structure relies on traditional clichés of infidelity and psychological instability rather than exploring multiple aspects of identity. While the film grants the female protagonist a degree of ability to act through her control of the situation, it remains rooted in conventional gendered tensions. The lack of demographic breadth or systemic critique results in a narrow focus on interpersonal trauma. Ultimately, the film functions as a standard genre exercise, not attempting to challenge social hierarchies or provide representation for underrepresented identities.

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Category Breakdown

Does Things have LGBTQ+ representation?

Limited

The film centers on a domestic conflict involving a wife, husband, and mistress. It lacks representation of non-binary or LGBTQ+ identities and does not critique the assumption that everyone is straight or cisgender.

How does Things portray gender?

Fair

The protagonist exerts power through kidnapping and narrative control. However, the plot relies on betrayal within a traditional patriarchal marriage structure.

How racially and ethnically diverse is Things?

Minimal

The synopsis provides no indication of a diverse cast or intentional race-bending. The work follows standard 1990s independent horror conventions.

How does Things represent religion and culture?

Limited

The story focuses on interpersonal trauma and moralistic horror clichés. It lacks an explicit critique of Western institutions, religion, or capitalism.

Does Things include disability representation?

Minimal

There is no mention of characters with visible or invisible disabilities within the narrative context.

Present on Screen

The protagonist demonstrates a significant role in driving the story through her control of the narrative and the kidnapping.
The film explores complex themes of psychological instability and subjective morality.

Limited or Absent

The narrative lacks multi-layered complexity and demographic breadth.
The plot reinforces traditional patriarchal marriage structures rather than challenging them.
There is a complete absence of racial, ethnic, or LGBTQ+ representation.

Official Synopsis

A woman kidnaps her husband's mistress and tells the mistress two horror stories involving evil things.

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