
Butcher the Bakers
2017

Representation Score
Minimal
2003
NRDirector
Bilge Ebiri
Runtime
85 minutes
Average Rating
No ratings yetNew Showbiz Analysis
New Guy primarily serves as a surrealist critique of corporate culture rather than a story focused on identity. Its strength lies in its subversion of institutional stability, showing the workplace as dysfunctional and dangerous. However, the film fails to offer meaningful representation regarding race, disability, or LGBTQ+ identities. The narrative remains centered on a traditional structure that lacks multi-layered depth. Ultimately, the film’s diversity is limited to its cultural commentary on capitalism, leaving most other demographic categories unaddressed.
Category Breakdown
The film does not include any LGBTQ+ characters or explore non-cisgender identities. The narrative centers on surreal survival within a corporate environment.
The story portrays a workplace where traditional masculine stability is replaced by emotional volatility and incompetence. While it challenges some gender stereotypes, it does not delve deeply into gendered themes.
There is no information about the racial makeup of the cast or characters. The narrative does not show multi-layered casting or non-white protagonists.
The film critiques Western institutions by depicting the office as a lethal wasteland. It dismantles the notion of the workplace as a place of social order.
The text does not mention any characters with visible or invisible disabilities. Neurodivergence and physical disabilities are not used as narrative elements.
Present on Screen
Limited or Absent
Official Synopsis
Gregg's first day at his new job starts off strangely, as he discovers his cubicle is covered in a sea of Post-Its left behind by his predecessor, who he soon discovers did not leave on amicable terms. His co-workers don't seem quite normal either, standing aimlessly or endlessly chatting nonsense on the phone or gossiping by the coffee machine. Grown men cry in this office and as Gregg tries to stay on top of his new job, fighting a toy car that runs around the office, arguing with a janitor, and trying, repeatedly, to send out an all important fax; things gradually go from bad to worse in this corporate wasteland. As day turns into night, Gregg begins to realize this is no ordinary workplace. It can be very lethal...

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