
Stealing Raden Saleh
2022

Representation Score
Good
2018
Director
Alonso Ruizpalacios
Runtime
126 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Alonso Ruizpalacios' film offers a sophisticated exploration of national identity and institutional authority. Its primary strength lies in its post-colonial perspective, which challenges sanitized versions of Mexican history through the theft of Mayan artifacts. By placing women in positions of intellectual and institutional authority, the film disrupts traditional social hierarchies and highlights the tension between state control and cultural reclamation. However, the film's score is limited by the absence of overt LGBTQ+ identities and disability-centric narratives.
Category Breakdown
The film does not explicitly include LGBTQ+ identities or relationships. It avoids rigid assumptions about straight relationships but does not feature overt queer characters or themes. Therefore, the score remains neutral.
Women play key roles in academic and curatorial institutions, holding positions of intellectual authority. This portrayal challenges traditional gender roles by emphasizing professional ability to act rather than submissive femininity.
The film explores post-colonial identity through the theft of Mayan artifacts, highlighting the tension between state-sanctioned curation and the reclamation of indigenous history.
The narrative examines how Western-style institutions shape and control national identity. It presents the preservation of history as a political struggle, critiquing the moral relativism around historical figures.
There are no prominent depictions of visible or invisible disabilities that significantly impact character arcs or serve as central themes.
Present on Screen
Limited or Absent
Official Synopsis
Mexico, 1985. Juan and Wilson, two perennial Veterinary students, perpetrate an audacious heist in the National Museum of Anthropology, running away with a loot of more than hundred invaluable pieces of Mayan art, unaware of the consequences of their outrageous act.

2022

2018

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2001

2018
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2021
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