
Night Call Nurses
1972

Representation Score
Fair
2002
Director
Kazuyuki Morosawa
Runtime
114 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Leave It to the Nurses operates as a character-driven comedy that draws energy from individual eccentricities. While it does not challenge systemic norms, it mocks the seriousness of institutional authority and rigid medical practices. The film centers a female protagonist who resists traditional gender roles. However, it remains rooted in conventional social and romantic structures. The film's representation of disability and race is limited. It maintains a homogeneous cast and traditional clichés, missing opportunities for multi-layered exploration or nuanced depictions of health-related identities.
Category Breakdown
The story focuses on heterosexual romantic relationships, particularly between Izumi and her husband. There is no indication of LGBTQ+ identities or narratives that question traditional heterosexual norms.
The film centers on a female protagonist whose non-conformist nature conflicts with rigid hospital rules. Izumi's role highlights her dissatisfaction with both domestic and professional limitations.
As a culturally specific Japanese production, the film features a homogeneous cast reflecting the local population. It does not use diverse casting to challenge the status quo.
The narrative critiques institutional hierarchies and medical protocols through satire. It portrays a subversion of authority, where victims respond to a crisis with unexpected humor.
The character Saruwatari is portrayed as a hypochondriac seeking attention. This depiction uses health conditions as a comedic element rather than exploring neurodivergence or disability with depth.
Present on Screen
Limited or Absent
Official Synopsis
Flighty young nurse Izumi Asakura longs to have her honeymoon in a far off tropical paradise but her doctor husband feels that he cannot afford to take time off from developing his career. To Izumi's dismay, Wakabakai General Hospital is fast becoming a far less pleasant place to work, thanks to the appointment of a militaristic chief nurse who demands steadfast adherence to protocol. Things get much worse, however, via the arrival of Saruwatari, a hypochondriac desperate to be re-admitted so that he can enjoy the attentions of nurse Shoko Ozaki. When the chief nurse has him ejected by security, Saruwatari comes back armed and takes everyone on the floor hostage. Shoko happened to be on her lunch break at the time and has trouble getting back into the building when the police swarm around it en masse. The authorities are not sure just how to deal with the situation, though, since the "victims" seem to be taking things far less seriously than they are.

1972

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