
Google Me
2007

Representation Score
Good
2001
Director
Alan Berliner
Runtime
60 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Alan Berliner’s documentary stands out as a work of cultural deconstruction. By tracing the roots of American music through the intersection of African American traditions and European folk, the film effectively challenges the myth of a singular Anglo-Saxon heritage. While the film is intellectually sophisticated in its racial and cultural analysis, it remains limited in other areas of identity. It lacks explicit representation for LGBTQ+ communities and does not center individuals with disabilities. Ultimately, the film’s strength lies in its postmodern approach to history, using musical evolution as a metaphor for cultural blending and disrupting conventional expectations of national identity.
Category Breakdown
The film doesn't focus on LGBTQ+ identities or stories. It doesn't use non-assuming gender matches what was assigned at birth gender identities or same-sex relationships as key plot elements.
The archival footage includes various performers, presenting a non-traditional view of gendered performance. However, the film doesn't critically examine patriarchal structures in the music industry.
The film challenges Western-centric views by tracing American music back to African American spirituals and blues. It highlights the role of Black musical traditions in shaping national identity.
The film breaks down monolithic Western culture by presenting traditional music as a mix of diverse ethnic influences. It uses postmodern techniques to emphasize pluralistic truths over institutionalized history.
The film does not focus on visible or invisible disabilities. No characters or subjects with disabilities are given central roles or significant influence in the main storyline.
Present on Screen
Limited or Absent
Official Synopsis
Alan Berliner uses the internet to track down 12 men who share his surname, and invites them over for dinner in New York.

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