The Requin
2022
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Diversity score: 4.6 out of 10
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The Last Voyage of the Demeter
2023
RDirector
André Øvredal
Runtime
119 minutes
Average Rating
No ratings yetSynopsis
The crew of the merchant ship Demeter attempts to survive the ocean voyage from Carpathia to London as they are stalked each night by a merciless presence onboard the ship.
Where to Watch
Diversity & Representation
Overall Score
4.4/10
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks LGBTQ+ characters or non-heteronormative identities. It adheres to the social constraints of its 1857 setting without queer-coded subtext.
Gender Representation
The narrative follows a male-centric maritime hierarchy. While Lady Dina offers a female perspective, the central plot agency remains with the male crew.
Racial & Ethnic Diversity
The film avoids the homogeneous white trope common in Victorian period pieces. A multi-ethnic crew provides a more nuanced view of 19th-century global shipping.
Religious & Cultural Diversity
The story critiques systemic expendability by treating sailors as mere cargo. However, it relies on traditional religious elements to combat the supernatural.
Disability Representation
There is no evidence of characters with visible or invisible disabilities serving as central plot drivers.
Strengths
- The multi-ethnic crew disrupts the typical homogeneous white trope found in Victorian-era period pieces.
- The film provides a nuanced view of the globalized nature of 19th-century merchant shipping through diverse casting.
- The narrative offers a subtle critique of how capitalist structures value human life against economic interests.
Areas for Improvement
- The film operates within a predominantly male-centric hierarchy that lacks significant female agency.
- There is a complete absence of LGBTQ+ representation or non-heteronormative identities.
- The story relies on conventional religious frameworks rather than exploring more diverse moral perspectives.
AI Analysis
The film functions primarily as a genre-driven survival horror. Its most progressive element is the refusal to present a monolithic Western crew, opting instead for an ethnically diverse ensemble that reflects the complexities of maritime commerce. While the film avoids the standard Anglo-centric depictions of the era, it does not actively seek to deconstruct traditional gender or religious hierarchies. The crew is portrayed as victims of an indifferent economic machine, offering a moderate critique of institutional power. Ultimately, the production prioritizes historical realism and atmospheric tension over modern social subversion, resulting in a narrative that is ethnically inclusive but socially traditional.
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