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The Damned Thing

The Damned Thing

Representation Score

3.3/10

Limited

2014

Director

Derrick Granado

Runtime

87 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The Damned Thing functions as a typical genre thriller that emphasizes traditional horror clichés over sociopolitical themes. The narrative structure centers on a paranormal investigation without showcasing intentional characters who reflect more than one aspect of diversity. While the film offers roles with technical expertise, it does not actively seek to disrupt social hierarchies or promote progressive identity politics. The creative approach remains centered on genre conventions rather than challenging systemic narratives.

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Category Breakdown

Does The Damned Thing have LGBTQ+ representation?

Limited

The film does not include any explicit LGBTQ+ characters or explore non-cisgender identities. The narrative focuses on traditional genre elements rather than queer identities.

How does The Damned Thing portray gender?

Fair

The story revolves around a professional relationship between a male investigator and a videographer. While the videographer contributes technically, the film does not challenge traditional gender hierarchies.

How racially and ethnically diverse is The Damned Thing?

Limited

There is no visible evidence of intentional racial diversity or depth in racial identities. The racial backgrounds of the main characters are not specified.

How does The Damned Thing represent religion and culture?

Fair

The film adheres to a conventional horror framework involving a haunted location. It does not critique Western social institutions or offer secularist perspectives.

Does The Damned Thing include disability representation?

Minimal

The narrative does not mention characters with visible or invisible disabilities. There is no representation of disability in the film.

Present on Screen

  • The role of the videographer allows for women to play a significant technical and professional role.

Limited or Absent

  • The film lacks visible evidence of intentional racial diversity or depth in racial identities.
  • There is an absence of LGBTQ+ characters or critiques of the assumption that everyone is straight.
  • The narrative does not utilize moral relativism or deconstruct traditional social structures.

Official Synopsis

Three tales of horror are told from the narration of paranormal investigator Eddie Osborne to his newly hired videographer, as they document an abandoned hotel with supernatural occurrences.

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