
Submit to Me Now
1987

Representation Score
Limited
1986
Director
Richard Kern
Runtime
5 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Richard Kern’s *King of Sex* is a transgressive No Wave piece that prioritizes underground aestheticism over structured characters who reflect more than one aspect of diversity. It disrupts social decorum through chaotic, non-linear interactions and non-traditional gender presentation. However, the film struggles with meaningful representation. Drag serves a performative, transgressive purpose rather than providing depth to queer identity, and the depiction of women often falls into traditional objectification. Ultimately, the film is a study in anti-establishment rebellion. While it challenges mainstream cultural norms, it lacks the diverse character's ability to drive the story and breadth of representation necessary for a higher diversity score.
Category Breakdown
The film includes the protagonist's use of drag, which challenges traditional gender roles. However, the portrayal focuses more on transgressive performance art than on a deeper understanding of queer identity.
The film features sexualized imagery that leans towards traditional objectification, especially in the first half. While drag performance complicates traditional masculinity, the film does not provide a strong critique of patriarchal structures.
There is insufficient evidence to confirm the racial composition of the cast. Without specific character or casting data, the racial diversity of the work remains unverified.
The film critiques mainstream cultural standards by emphasizing anti-social behavior. It aligns with themes of radical subjectivity and rejects polished, respectable cinematic values.
The film does not depict any characters with visible or invisible disabilities, nor does it include any representation of neurodivergence or physical impairments.
Present on Screen
Limited or Absent
Official Synopsis
In the first half of the movie Nick Zedd has a rough sexual playtime with two young women. In the second half, whilst dressed in drag, he attempts to fellate a too-drunk Rick Strange. All the while, Killdozer's 'King Of Sex' grinds away on the soundtrack.

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