
Admiral Dewey Receiving the Washington and New York Committees
1899

Representation Score
Minimal
1899
Director
James H. White
Runtime
1 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This 1899 documentary serves as a technical and journalistic record of the U.S. Cruiser 'Raleigh.' Produced at the turn of the century, it reflects the rigid social and institutional hierarchies of that time. The film captures a snapshot of traditional Western military structures, prioritizing the documentation of naval technology and American maritime authority over modern narrative inclusivity. Ultimately, the work is a period-specific artifact, providing a view of late 19th-century naval life characterized by homogeneity and nationalistic pride.
Category Breakdown
The film does not include any characters or identities that reflect LGBTQ+ experiences or non-cisgender statuses. It focuses solely on the military hierarchy and naval architecture.
The film portrays an exclusively male military hierarchy, reflecting the gender roles of 19th-century naval command.
The film shows a homogeneous group of white naval officers, with no representation of racial diversity among the crew.
The film celebrates Western naval power and maritime technology, emphasizing American military strength and national pride.
The film does not depict any individuals with visible or invisible disabilities, focusing instead on the ship and its crew.
Present on Screen
Limited or Absent
Official Synopsis
"A panoramic view of the 'Raleigh,' as she lies at anchor off 27th Street, North River, April 17, 1899. Captain Coghlan stands among a group of officers near the bridge. The 'Raleigh' fired the first gun at Manila, and is the first boat of the Pacific Squadron visiting New York. All the details of the famous battleship are clearly shown as the launch from which the picture was taken moves rapidly around her."

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