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U.S. Cruiser 'Raleigh'

U.S. Cruiser 'Raleigh'

Representation Score

0.9/10

Minimal

1899

Director

James H. White

Runtime

1 minutes

Average Rating

No ratings yet

New Showbiz Analysis

This 1899 documentary serves as a technical and journalistic record of the U.S. Cruiser 'Raleigh.' Produced at the turn of the century, it reflects the rigid social and institutional hierarchies of that time. The film captures a snapshot of traditional Western military structures, prioritizing the documentation of naval technology and American maritime authority over modern narrative inclusivity. Ultimately, the work is a period-specific artifact, providing a view of late 19th-century naval life characterized by homogeneity and nationalistic pride.

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Category Breakdown

Does U.S. Cruiser 'Raleigh' have LGBTQ+ representation?

Minimal

The film does not include any characters or identities that reflect LGBTQ+ experiences or non-cisgender statuses. It focuses solely on the military hierarchy and naval architecture.

How does U.S. Cruiser 'Raleigh' portray gender?

Minimal

The film portrays an exclusively male military hierarchy, reflecting the gender roles of 19th-century naval command.

How racially and ethnically diverse is U.S. Cruiser 'Raleigh'?

Limited

The film shows a homogeneous group of white naval officers, with no representation of racial diversity among the crew.

How does U.S. Cruiser 'Raleigh' represent religion and culture?

Minimal

The film celebrates Western naval power and maritime technology, emphasizing American military strength and national pride.

Does U.S. Cruiser 'Raleigh' include disability representation?

Minimal

The film does not depict any individuals with visible or invisible disabilities, focusing instead on the ship and its crew.

Present on Screen

  • Provides an authentic historical record of late 19th-century naval architecture and military presence.

Limited or Absent

  • Lacks representation of diverse identities, including gender, race, and LGBTQ+ perspectives.
  • Focuses exclusively on Western military hegemony without acknowledging broader cultural contexts.

Official Synopsis

"A panoramic view of the 'Raleigh,' as she lies at anchor off 27th Street, North River, April 17, 1899. Captain Coghlan stands among a group of officers near the bridge. The 'Raleigh' fired the first gun at Manila, and is the first boat of the Pacific Squadron visiting New York. All the details of the famous battleship are clearly shown as the launch from which the picture was taken moves rapidly around her."

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