
Method of Murder
2017

2019
Director
Ashley Gething
Runtime
59 minutes
Average Rating
No ratings yetSynopsis
Emilia Fox and Britain’s top criminologist, Professor David Wilson, cast new light on the Jack the Ripper case. Together, they examine the Ripper’s modus operandi using modern technology to recreate the murder sites to help understand the extraordinary risks the Ripper took to kill his victims. Using the Home Office Large Major Enquiry System (HOLMES)—a bespoke computer system used by the police to help detect patterns in criminal activity—and evidence uncovered within the investigation, results strongly indicate another woman was, in fact, the first Ripper victim.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The documentary focuses strictly on the forensic details of the Victorian-era murders. There are no queer themes or non-cisnormative identities present in the investigation.
Gender Representation
Emilia Fox holds a central, authoritative role alongside a leading academic. The narrative also centers female experiences by suggesting a woman may have been the first victim.
Racial & Ethnic Diversity
The investigation remains centered on the Whitechapel district. There is no indication of a diverse cast or the integration of non-Anglo-Saxon perspectives.
Religious & Cultural Diversity
The film operates within a traditional Western institutional framework. It prioritizes British law enforcement methodologies and empirical evidence over diverse cultural or subjective narratives.
Disability Representation
The documentary provides no discernible evidence regarding the portrayal of physical or neurodivergent disabilities within its investigative framework.
Strengths
Areas for Improvement
AI Analysis
This documentary prioritizes historical inquiry and forensic reconstruction over social commentary. It uses modern technology to re-examine the Jack the Ripper case through a technical, criminological lens. The production succeeds in diversifying the investigative voice by placing a woman in a position of authority. However, the content remains largely tethered to a conventional Western historical narrative. Overall, the film lacks engagement with intersectional identities, focusing instead on the systemic processes of British law enforcement and academic rigor.

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