
We, the Music
1964
No Poster Available
Representation Score
Limited
1972
Director
Rafael Corkidi
Runtime
14 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Rafael Corkidi’s experimental short centers Mexican folkloric traditions, offering a strong departure from mainstream media. Its strength lies in reclaiming regional identity through surrealist aesthetics, celebrating indigenous-rooted dance and landscapes against the backdrop of the 1972 World Cup. However, the film remains limited by its traditional focus. The reliance on folkloric dance suggests adherence to conventional gendered roles, and the work lacks representation for LGBTQ+ identities or individuals with disabilities. Ultimately, the film serves as a meaningful cultural celebration that disrupts capitalist sporting spectacles, even if it does not actively engage with broader social identity politics.
Category Breakdown
The film does not include any LGBTQ+ characters or narratives. It focuses on traditional cultural expressions through folkloric dance and landscapes.
Folkloric dance often emphasizes specific gender roles and movements. There is no clear evidence of challenging traditional gender hierarchies or providing nuanced roles for characters.
The film highlights Mexican identity through indigenous-rooted dance and local landscapes. This prioritizes non-Anglo-Saxon expression within a global context.
By focusing on surrealist musicality rather than commercial sports broadcasting, the film critiques homogenized Western modernity. It celebrates regionalism through traditional folk culture.
There is no focus on characters with visible or invisible disabilities. The documentary elements do not address disability representation.
Present on Screen
Limited or Absent
Official Synopsis
A surrealist musical short, featuring folkloric dance and stark Mexican landscapes, in honor of the 1972 World Cup.

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