The film lacks explicit evidence of non-cisnormative identities or narratives addressing heteronormativity. It appears to follow mainstream ensemble comedy tropes without specific queer-focused content.

The ensemble is predominantly male, leaning toward traditional masculine comedic dynamics. While Nawell Madani provides a notable female presence, the cast remains heavily skewed toward men.

The production excels by centering performers of North African and diverse backgrounds. This casting disrupts Eurocentric norms and prioritizes a multicultural lens within the Francophone comedy landscape.

Set in Marrakech, the film engages with non-Western geographies. The multi-ethnic cast in a Moroccan context suggests a move toward a more globalized, less Eurocentric cultural framework.

There is no visible evidence regarding the inclusion of characters with physical or neurodivergent disabilities in the cast or narrative.