The film lacks explicit queer characters or narratives that challenge heteronormativity. It relies on traditional comedic structures rather than intentional queer-centric storytelling.

The cast is heavily male-dominated, prioritizing male comedic voices. While Anne Roumanoff is a notable female presence, the production follows conventional gender distributions.

High ethnic diversity is achieved through performers like Jamel Debbouze and Ahmed Sylla. The casting disrupts Eurocentric hegemony by centering North African identities.

Setting the comedy in Marrakech shifts the cultural gaze away from Western-centric norms. It celebrates multiculturalism without offering overt critiques of Western institutions.

There is no verifiable evidence regarding the inclusion of characters with visible or invisible disabilities in this production.