
Miami Supercops
1985

Representation Score
Limited
1968
GDirector
Giorgio Gentili
Runtime
93 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Madigan's Millions operates as a traditional genre piece, relying heavily on established crime-comedy clichés. The narrative structure prioritizes institutional stability and conventional character archetypes, offering little in the way of multi-layered complexity. The film's focus remains on the pursuit of capital and the mechanics of a caper. This results in a story that reinforces existing social hierarchies rather than disrupting them. Ultimately, the work reflects the standard period-accurate depictions of Western cinema, centering on Anglo-centric and Eurocentric perspectives without significant subversion.
Category Breakdown
The film follows traditional heterosexual norms typical of 1968 crime comedies. There is no representation of LGBTQ+ identities or critiques of traditional social norms.
The plot centers on a male-driven narrative involving a U.S. Treasury Agent and a gangster. Men hold primary roles, reinforcing traditional masculine archetypes of law enforcement.
The story moves between the United States and Italy, using standard 'American vs. Foreigner' clichés. The depiction reflects a Eurocentric perspective common to Western crime cinema of the era.
The narrative supports the stability of established legal and financial institutions. It focuses on the recovery of state-owned capital rather than critiquing institutional power.
There is no information available regarding the portrayal of physical or neurodivergent characters in this film.
Present on Screen
Limited or Absent
Official Synopsis
When a deported gangster dies in Italy, the U.S. Treasury Department is very interested in the one million dollars Madigan owed the government, but managed to take to Italy with him. They send Agent Jason Phister over to Italy to nose out the million. His criteria for the job is that no one would ever guess he's an agent of the United States government.

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