The film lacks explicit evidence of non-heteronormative identities or queer narratives. The focus remains strictly on the survival of the central siblings.

A female character shares the central peril alongside her brother. While her specific role in subverting gender hierarchies is unverified, she is central to the narrative.

As a work of Iranian cinema, the film provides a non-Western perspective. It centers the lived experiences of Iranian citizens, disrupting a traditional Western-centric gaze.

The story critiques exploitative structures like human trafficking and slavery. It prioritizes a critique of power dynamics over the celebration of institutional stability.

There is no evidence of characters with visible or invisible disabilities within the narrative.