The film lacks visible queer presence or non-cisnormative identities. The narrative focuses strictly on survivalist horror tropes rather than addressing heteronormativity.

Rachel Kusza provides a baseline of female agency as the leader of a film crew. However, it remains unclear if the film subverts gender hierarchies or relies on archetypes.

The story follows a Western expedition into Transylvania. There is no indication of a non-white majority cast or casting designed to disrupt historical norms.

The film utilizes the 'lost expedition' trope, focusing on supernatural tension in a specific locale. It lacks a critique of Western institutions or religious structures.

There is no information regarding the inclusion of characters with physical, sensory, or neurodivergent disabilities.