
Just the Ticket
1998

Representation Score
Minimal
2012
TV-14Director
Nick Corirossi, Charles Ingram
Runtime
4 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film is a character-driven comedy that leans on traditional storylines rather than diverse representations. By centering a singular male protagonist in the world of ticket scalping, it upholds conventional social hierarchies instead of challenging them. Despite its global setting, the plot remains narrow, focusing on individual ambition and the gray market of capitalism. It offers limited space for exploring varied ethnic or cultural perspectives. Overall, the film lacks the intentional effort to address broader social identities, particularly those related to LGBTQ+ and disability communities.
Category Breakdown
The film does not include any LGBTQ+ characters or stories about non-traditional gender identities. Instead, it focuses on the business of ticket scalping.
The main character is a male protagonist who embodies traditional masculine traits such as dominance and entrepreneurship. This focus aligns with conventional masculine roles.
Set during the 2012 London Olympics, the film lacks clear evidence of a diverse cast. It seems to follow typical demographic norms for comedy.
The film highlights individualistic pursuits and commercial opportunities. It does not significantly critique Western institutions or explore cultural diversity.
The film does not feature any characters dealing with physical, neurological, or mental health issues. There is no representation for the disability community.
Present on Screen
Limited or Absent
Official Synopsis
Sir Patrick Stewart stars as the Godfather of scalping tickets for the grandest event of them all....The 2012 London Olympics.

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