
Asteria
2017

2017
Director
Aurel Klimt
Runtime
87 minutes
Average Rating
No ratings yetSynopsis
Life is not easy for Laika, a dog on the outskirts of a big Russian city. She is caught and forcibly retrained to become a pioneer in astronautics. Soon after her lift-off into space, a number of animals follow that are hurriedly launched from Houston and Baikonur. The animals travel astray, but finally manage, with the help of a black hole, to colonize a faraway planet. After a short period of harmonious, undisturbed co-existence with indigenous life forms, however, first human cosmonaut run ashore on their planet, and their harmonious life, indeed their very survival, are suddenly in jeopardy.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on interspecies survival and cosmic displacement. There are no depictions of non-cisnormative identities or same-sex intimacy within this non-humanoid narrative.
Gender Representation
Laika is identified as female, but the surrealist framework bypasses traditional gendered social structures. Gender remains secondary to the characters' existential struggle for survival.
Racial & Ethnic Diversity
The science-fiction setting avoids human ethnic categorization. Instead, it uses non-human species as metaphors for 'otherness' and the meeting of disparate cultures on a new planet.
Religious & Cultural Diversity
The story critiques expansionist tendencies by framing human arrival as a destabilizing force. It questions the morality of progress and the disruption of peaceful, non-traditional social orders.
Disability Representation
No characters explicitly feature disabilities. However, the protagonist's struggle to navigate a hostile, unpredictable environment touches on themes of adaptation to systems not designed for survival.
Strengths
Areas for Improvement
AI Analysis
Aurel Klimt’s *Laika* offers a surrealist, non-anthropocentric perspective on survival. By centering on animals rather than humans, the film deconstructs traditional narrative hierarchies and explores the concept of the 'outsider.' While the film lacks explicit identity-based character arcs or human social representations, it succeeds in using cosmic displacement to critique institutional dominance. The narrative shifts the focus from human triumph to the ecological consequences of expansionism. Ultimately, the film provides an abstract form of representation. It favors a relativist view of community and survival, even if it avoids direct depictions of human diversity.

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