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The Obsessed One

Name: The Obsessed One
Director: Ramdjan Abdoelrahman
Released: 1974
Duration: 78 min

Representation Score

2.0/10

Limited

1974

Director

Ramdjan Abdoelrahman

Runtime

78 minutes

Average Rating

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New Showbiz Analysis

The Obsessed One is a genre-driven thriller that gains its strength from its unique setting. Filming in Suriname allows the production to break away from the Western-centric dominance typical of 1970s action-horror films. However, the narrative leans heavily on conventional clichés. The plot revolves around traditional gender roles and a male-driven revenge arc, limiting the complexity of character development and characters who reflect more than one aspect of diversity. While the localized setting offers a non-Western viewpoint, the thematic content remains anchored in traditional, individualistic retribution rather than a nuanced social critique.

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Category Breakdown

Does The Obsessed One have LGBTQ+ representation?

Minimal

The film centers on a heterosexual couple and a traditional revenge storyline. It does not include any non-binary or transgender characters or narratives that question the assumption that everyone is straight or cisgender.

How does The Obsessed One portray gender?

Limited

The story follows a traditional tragedy where a female character serves mainly as a catalyst for the male protagonist's journey. Her role is limited, and she does not play a significant role in driving the story.

How racially and ethnically diverse is The Obsessed One?

Good

Filmed in Suriname, the movie presents a departure from Western-centric settings. The cast likely reflects the local demographics, featuring actors of diverse backgrounds.

How does The Obsessed One represent religion and culture?

Fair

The story examines justice outside formal legal systems through a vigilante framework. It highlights the tension between the individual and state authority within its specific cultural context.

Does The Obsessed One include disability representation?

Minimal

The synopsis does not mention any characters with visible or invisible disabilities.

Present on Screen

The Surinamese setting provides a non-Western perspective that challenges typical 1970s genre norms.
The film offers a localized production context outside of conventional Anglo-Saxon cinematic landscapes.

Limited or Absent

The narrative relies on conventional clichés of female victimization to propel the plot.
The protagonist's journey lacks complex, multi-layered depth, favoring a standard vigilante framework.
There is a lack of representation for LGBTQ+ identities or narratives that question the assumption that everyone is straight or cisgender.

Official Synopsis

Three thugs assault a newlywed couple, raping and murdering the bride. The groom is accused of murder, but escapes from the police and hunts down the perpetrators. Filmed in Suriname.

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