
The Yellow Eyes of Crocodiles
2014

Representation Score
Limited
2017
Director
Gilles Bourdos
Runtime
105 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Endangered Species functions as a psychological drama that prioritizes interpersonal tension over traditional moralizing. It succeeds in subverting domestic archetypes by focusing on the internal emotional landscapes of its female characters and the fragility of the nuclear family unit. However, the film lacks significant multi-layered depth. The absence of racial diversity and disability representation limits the narrative's social scope. Ultimately, while the film offers a sophisticated look at individual ability to act and situational ethics, it remains a narrow study of specific family dynamics without broader demographic breadth.
Category Breakdown
The film explores the complexities of marriage through Joséphine and Tomas. While it avoids traditional romantic clichés, there is no explicit evidence of LGBTQ+ identities or non-traditional gender expressions.
The story emphasizes the ability to act and autonomy of female characters. Mélanie’s decision regarding her pregnancy highlights a focus on personal choice over patriarchal or familial approval.
The narrative centers on the conflict between three families. However, there is no indication of a multi-ethnic cast or characters of diverse backgrounds driving the plot.
The film deconstructs the nuclear family by revealing the darker side of a seemingly joyful marriage. It critiques the perceived stability of traditional domestic life.
The available context provides no evidence regarding the inclusion of characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
The fates of three entwined families. Joséphine and Tomas have just got married. It was a joyful celebration. But soon, Joséphine’s parents will discover a darker side lurking behind the couple’s sunny happiness. Meanwhile, Mélanie tells her parents that she is pregnant but the father is not ideal.

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