
Neutron Battles the Karate Assassins
1965

Representation Score
Fair
1965
Director
Alfredo B. Crevenna
Runtime
81 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Neutron vs. the Maniac is a typical example of mid-century Mexican genre cinema. It offers regional representation by centering a non-Western production, breaking away from the era's Hollywood-centric casting. However, the film stays true to the social and narrative norms of its time. It emphasizes traditional hero-centric clichés and masculine leadership, limiting its ability to challenge established social hierarchies. Ultimately, the work serves as a standard pulp fiction piece. It provides a sense of national identity but does not delve into progressive social frameworks or diverse identities.
Category Breakdown
The film does not include any LGBTQ+ identities or same-sex relationships. It follows the traditional structures typical of 1960s action movies.
The story focuses on masculine strength through the superhero wrestler character. Although there are female characters, they play supporting roles rather than leading ones.
As a Mexican production, the film features a non-Anglo-Saxon cast that breaks Hollywood homogeneity. However, it portrays a standardized national identity rather than diverse backgrounds.
The story follows a classic battle between good and evil to restore social order. It lacks secular or anti-Western critiques, adhering to traditional moral frameworks.
The sanitarium setting includes characters with mental health issues. These characters often serve as plot devices or antagonists rather than being portrayed as empowered individuals.
Present on Screen
Limited or Absent
Official Synopsis
Neutron, a wrestler/superhero, investigates a series of murders at a sanitarium.

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