
Capoeira, um passo a dois
2016

Representation Score
Fair
2026
Director
João Wainer
Runtime
101 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This documentary prioritizes sports history over broad social representation, offering a focused look at Zico’s career. The cast reflects Brazil’s diverse football landscape, though the narrative remains centered on male athletes. While it honors cultural traditions, it lacks depth in gender, LGBTQ+, and disability representation.
Category Breakdown
The film contains no LGBTQ+ characters or same-sex relationships. The narrative stays strictly within Zico’s professional career and personal history, leaving queer experiences entirely absent from the frame.
Male footballers dominate the screen time, with women appearing only as interview subjects or contextual figures. Mauro Beting and other men drive the analysis of Zico’s legacy, keeping the narrative firmly in a male-centric space.
The cast features prominent Brazilian figures like Zico and Ronaldo, reflecting the nation’s diverse demographics. While the group is predominantly white, the inclusion of Black and mixed-race athletes aligns with Brazil’s broader football culture.
The documentary celebrates Brazilian football culture, honoring Zico’s status as a national icon. It portrays traditional sports institutions positively, emphasizing community pride and athletic excellence within the local context.
No characters with physical or mental disabilities appear in the film. The story focuses on athletic performance and career milestones without addressing disability or accessibility issues.
Present on Screen
Limited or Absent
Official Synopsis
The film explores Zico's personality through previously unseen archival footage, revealing stories from his time with Flamengo, the National Team, and in Japan—balancing discipline and legacy.

2016

2021

2013

2022

2026

2017

2022

2003
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.