
The Babysitter
2017

2020
TV-MADirector
McG
Runtime
101 minutes
Average Rating
No ratings yetSynopsis
Two years after defeating a satanic cult led by his babysitter Bee, Cole's trying to forget his past and focus on surviving high school. But when old enemies unexpectedly return, Cole will once again have to outsmart the forces of evil.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film integrates queer identity and attraction into the high school social fabric. These elements expand the setting's landscape without serving as the primary plot engine.
Gender Representation
The narrative subverts slasher tropes by centering a female-led group as the primary antagonistic force. Women drive the supernatural agency and violence, shifting traditional power dynamics.
Racial & Ethnic Diversity
Cole, a character of color, serves as the central protagonist. This departure from homogeneous casting provides a high-agency hero who avoids traditional white-protagonist norms.
Religious & Cultural Diversity
The story prioritizes stylized mayhem and supernatural survival over social commentary. It depicts extreme rebellion and a relativistic moral landscape where victim and aggressor lines blur.
Disability Representation
There is no evidence of characters with visible or invisible disabilities serving as central narrative drivers or plot devices.
Strengths
Areas for Improvement
AI Analysis
The film makes a concerted effort to modernize the slasher genre by diversifying its core archetypes. By casting a person of color as the high-agency survivor and centering female characters as the primary drivers of ritualistic violence, it disrupts conventional horror hierarchies. However, the film remains primarily focused on stylized, genre-specific entertainment rather than deep social critique. While the social landscape is expanded through queer representation, the narrative's postmodern framework prioritizes kinetic action over cultural or institutional commentary. Ultimately, the work succeeds in diversifying the teen horror ecosystem, even if it does not engage deeply with systemic social themes.

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