A Nameless Band
1982
No user ratings available yet
Diversity score: 3.9 out of 10
You are here:
Find another title
Type to search for movies. Use arrow keys to navigate suggestions, Enter to select, Escape to close.
Eduard Suroviy. The tears of Brighton
2019
Director
Roman Novikov
Runtime
69 minutes
Average Rating
No ratings yetSynopsis
The fame of the songwriter Eduard Surovy fell on the 70s of the last century, when the Comedy Club resident Garik Kharlamov, who named his odious humorous character in his honor, was not yet in the project. With the personal approval of Leonid Brezhnev, Eduard was allowed to represent the USSR, closed by the iron curtain, at the famous European music competition.
Where to Watch
Diversity & Representation
Overall Score
3.2/10
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit LGBTQ+ characters or narratives that critique heteronormativity. The 1970s Soviet setting suggests a period-accurate adherence to social constraints rather than non-cisnormative representation.
Gender Representation
The narrative centers on a singular male figure, Eduard Surovy. There is no evidence of female characters driving the plot or subverting the traditional gender roles typical of the era.
Racial & Ethnic Diversity
The story prioritizes a homogeneous cultural lens within the Soviet Union and Europe. It lacks a multi-ethnic cast or any indication of diverse racial representation.
Religious & Cultural Diversity
The film explores the tension between the USSR and Western Europe through a historical comedy lens. It operates within established national identities rather than deconstructing them.
Disability Representation
There is no mention of characters possessing visible or invisible disabilities within the narrative.
Strengths
- Provides a specific historical look at the Soviet-era music industry and the 'Iron Curtain' era.
Areas for Improvement
- Lacks intersectional complexity and diverse representation across gender, race, and LGBTQ+ identities.
- Fails to include characters with disabilities or subvert traditional social hierarchies.
- The narrative focus is narrow, centering almost exclusively on a single male figure.
AI Analysis
The film functions as a localized historical comedy focused on the life of songwriter Eduard Surovy. It prioritizes regional satire and the specific geopolitical tensions of the 1970s over intersectional complexity. Because the production aligns with conventional period-specific storytelling, it lacks the intentional disruption of social hierarchies found in more progressive works. The narrative architecture remains centered on a singular male protagonist and traditional cultural frameworks.
Similar Movies
Did We Meet Somewhere Before
1954
No user ratings available yet
Diversity score: 3.2 out of 10
My Seawoman
1990
No user ratings available yet
Diversity score: 3.1 out of 10
The Fall of Rock and Roll
1989
No user ratings available yet
Diversity score: 4.5 out of 10
La mia banda suona il pop
2020
No user ratings available yet
Diversity score: 4.4 out of 10
Hello, We Are Your Cover!
2005
No user ratings available yet
Diversity score: 3.1 out of 10
I Want To Go To Prison
1998
No user ratings available yet
Diversity score: 2.6 out of 10
Watch Out for Perestroika
1990
No user ratings available yet
Diversity score: 3.2 out of 10
Tractor Drivers 2
1992
No user ratings available yet
Diversity score: 3.1 out of 10
12 Chairs
1966
No user ratings available yet
Diversity score: 4.0 out of 10
The Wonderful Years That Sucked
1997
No user ratings available yet
Diversity score: 4.9 out of 10
Laughing It Up
2004
No user ratings available yet
Diversity score: 3.1 out of 10
Rate this Movie
Reviews
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.