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A Month of Single Frames

Name: A Month of Single Frames
Director: Lynne Sachs
Released: 2019
Duration: 14 min

Representation Score

9.2/10

Excellent

2019

Director

Lynne Sachs

Runtime

14 minutes

Average Rating

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New Showbiz Analysis

A Month of Single Frames serves as a meditative dialogue between two filmmakers, using the archives of queer cinema pioneer Barbara Hammer. By focusing on a queer, female perspective on solitude and mortality, the film challenges traditional male-centric viewpoints and conventional storytelling methods. The work highlights the preservation of queer aesthetic history and the importance of female intellectual labor. It reframes the natural world through a lens of artistic introspection rather than conquest. While the film is a powerful reclaiming of underrepresented history, its specific racial diversity is not explicitly detailed.

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Category Breakdown

Does A Month of Single Frames have LGBTQ+ representation?

Excellent

The film draws heavily from the legacy of Barbara Hammer, a key figure in queer cinema. It views the world and the process of dying through a queer identity lens.

How does A Month of Single Frames portray gender?

Excellent

The story challenges traditional gender roles by emphasizing the role of women in driving the narrative. It delves into the inner lives of women in spaces typically dominated by a masculine perspective of conquest.

How racially and ethnically diverse is A Month of Single Frames?

Fair

The film contributes to breaking down the traditional Western cinematic canon. However, specific details about racial diversity in the archival footage are not confirmed.

How does A Month of Single Frames represent religion and culture?

Excellent

The film emphasizes a secular, reflective existence over institutional or religious frameworks. It presents a sophisticated, non-traditional philosophical approach to the concept of self-dissolution.

Does A Month of Single Frames include disability representation?

Good

The film examines the physical realities of aging and bodily frailty in a nuanced manner. It portrays these conditions with ability to act rather than pity.

Present on Screen

Draws from the legacy of Barbara Hammer's archives to highlight queer cinema history.
Challenges traditional gender roles by emphasizing the role of women in driving the narrative.
Provides a sophisticated, non-traditional philosophical exploration of mortality and aging.

Limited or Absent

Specific details about racial and ethnic diversity within the archival footage are not confirmed.
The highly personal focus may limit broader representation of diverse racial identities.

Official Synopsis

In 1998, filmmaker Barbara Hammer had a one-month artist residency in the C Scape Duneshack which is run by the Provincetown Community Compact in Cape Cod, Massachusetts. The shack had no running water or electricity. While there, she shot 16mm film with her Beaulieu camera, recorded sounds with her cassette recorder and kept a journal. In 2018, Barbara began her own process of dying by revisiting her personal archive. She gave all of her Duneshack images, sounds and writing to filmmaker Lynne Sachs and invited her to make a film with the material.

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