The film lacks explicit evidence of non-cisnormative identities or queer narratives. It appears to lean toward isolated, individualistic character studies common in the genre.

The focus on a neuroscientist's singular obsession risks centering a male protagonist. Female characters may be relegated to reactive roles unless they hold high-level scientific agency.

The scientific team setting could serve as a globalized microcosm or fall into homogeneous casting. There is no specific data confirming a non-white majority.

The narrative disrupts Western celebrations of unchecked rationalism. It frames scientific progress as a destabilizing force that can unleash corrupting, supernatural consequences.

There is no clear evidence of neurodivergence or physical disability being portrayed with agency. Mental instability often serves as a mere plot device in horror.