
The Banishing
2021

2014
PG-13Director
John Pogue
Runtime
98 minutes
Average Rating
No ratings yetSynopsis
A professor and his students perform a dangerous experiment that causes a young woman to lose her sanity.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film adheres to conventional heteronormative structures. There is no discernible presence of non-cisnormative gender identities or same-sex intimacy.
Gender Representation
Female characters navigate high-stakes supernatural threats, but the film follows established genre archetypes. It lacks the intentional disruption of power dynamics or subversion of leadership roles.
Racial & Ethnic Diversity
The casting is predominantly homogeneous, featuring a primarily white ensemble. The rural Midwest setting reinforces a traditional, Anglo-centric demographic.
Religious & Cultural Diversity
The narrative relies on traditional horror tropes involving religious dread. It does not engage with anti-Western or secularist narratives to critique social structures.
Disability Representation
Psychological instability is used primarily as a plot device to facilitate horror tension. The depiction lacks nuanced exploration of neurodivergence or character-driven depth.
Strengths
Areas for Improvement
AI Analysis
The Quiet Ones functions as a conventional horror exercise that maintains traditional social and demographic hierarchies. The film relies on established genre archetypes rather than seeking to disrupt or subvert existing norms. Representation is limited by a homogeneous cast and a narrative structure that reinforces standard cultural and gendered expectations. The setting and character dynamics favor a traditional, Anglo-centric perspective. Ultimately, the film lacks intentionality regarding intersectional representation. It prioritizes supernatural dread over the exploration of diverse identities or the deconstruction of systemic structures.

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