
Untogether
2019

2020
Not RatedDirector
Matt Ratner
Runtime
91 minutes
Average Rating
No ratings yetSynopsis
An unlikely friendship kindles between a struggling stand-up comedian from L.A. — forced to move back home to Eastern Long Island with his tail between his legs — and a tragically flawed, but charming and charismatic, alcoholic dermatologist. Discovering to be kindred spirits, each helps the other find healing, in addition to the confidence to face the "failures" in their lives.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit mention of LGBTQ+ characters or non-heteronormative identities. The narrative focuses on an unlikely friendship without confirming queer themes or critiques of heteronormativity.
Gender Representation
The story centers on male-coded archetypes, specifically a comedian and a dermatologist. While it explores vulnerability, there is no evidence of female agency or the subversion of gender hierarchies.
Racial & Ethnic Diversity
The setting spans Eastern Long Island and L.A., but the protagonists' racial identities remain unspecified. The score reflects a potential for traditional archetypes without explicit non-Anglo-Saxon representation.
Religious & Cultural Diversity
The film disrupts conventional success metrics by framing personal flaws and failures as central human experiences. It prioritizes personal healing over the pursuit of traditional social or professional status.
Disability Representation
The portrayal of an alcoholic dermatologist introduces themes of substance use disorder and mental health. This offers a potential for nuanced depictions of invisible disabilities and personal struggles.
Strengths
Areas for Improvement
AI Analysis
Standing Up, Falling Down is a character-driven study of human frailty that centers on two men navigating professional and personal displacement. The narrative finds strength in its deconstruction of traditional success, focusing instead on the messy reality of healing and subjective morality. However, the film's demographic scope appears limited. The focus on male-coded archetypes and the lack of specified racial or queer identities suggest a narrative that may rely on more conventional social frameworks. Ultimately, the film's value lies in its thematic interest in personal agency. It trades the pursuit of upward mobility for a deeper look at how individuals reconcile with their perceived failures.

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