Flesh of the Void
2017
No user ratings available yet
Representation score: 0.3 out of 10
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REW
Representation Score
2.1/10
Limited
2012
Director
Alex Colonna
Runtime
4 minutes
Average Rating
No ratings yetNew Showbiz Analysis
REW stands out by incorporating Eastern metaphysical concepts such as the Bardo, which shifts the narrative from Western linear progression to a cyclical, transformative view of existence. However, the film's abstract nature makes it challenging to assess specific character-driven roles. While the philosophical framework is diverse, the actual demographic makeup of the cast remains unverified. Ultimately, the film successfully disrupts Western-centric storytelling norms but lacks sufficient data regarding gender, race, or LGBTQ+ representation.
Category Breakdown
Does REW have LGBTQ+ representation?
The film does not include any LGBTQ+ characters or explore non-cisgender identities. It focuses on the space between life and death.
How does REW portray gender?
The story revolves around a single male protagonist. There is no mention of gender diversity among supporting characters.
How racially and ethnically diverse is REW?
The film incorporates Buddhist philosophy, shifting the narrative away from Western-centric storytelling traditions.
How does REW represent religion and culture?
By focusing on the Bardo, the film emphasizes a non-Christian perspective on the afterlife, highlighting non-Western spirituality.
Does REW include disability representation?
There is no indication of characters with physical, neurodivergent, or mental health conditions. The synopsis does not mention disability representation.
Present on Screen
- Incorporates Eastern metaphysical concepts like the Bardo into the narrative.
- Shifts the narrative away from Western-centric storytelling by favoring cyclical progression.
- Highlights non-Western spiritual frameworks and subjective morality.
Limited or Absent
- Needs verifiable data regarding the racial and ethnic composition of the cast.
- Does not include any evidence of LGBTQ+ representation or non-cisgender identities.
- Does not demonstrate meaningful gender diversity beyond a single male protagonist.
Official Synopsis
A man is trapped in a loop somewhere between life and death. Based on Bardo, a Buddhist term for an intermediate state between death and rebirth. This film combines elements of art house, avant-garde, surrealism, and experimental horror.
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