
Armageddon Time
2022

Representation Score
Good
2021
PG-13Director
Rebecca Hall
Runtime
98 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Passing is a sophisticated exploration of identity that uses the 1920s to deconstruct racial and social hierarchies. It excels in its nuanced examination of race and its commitment to women's ability to drive the story. The film's strength lies in its refusal to present a monolithic experience, instead showing the diversity in how characters navigate prejudice. It frames identity as a strategic performance necessitated by systemic oppression. However, the film lacks overt LGBTQ+ representation and does not feature characters with disabilities. While the themes of fluidity are present, they are primarily applied to the racialized performance of the era.
Category Breakdown
The film does not include explicit LGBTQ+ narratives or non-cisgender identities. However, the themes of identity performance hint at connections to queer theory, focusing mainly on racialized experiences.
The narrative highlights the intellectual and emotional roles of women, challenging traditional drama clichés by driving the plot through female perspectives, rivalries, and complex power dynamics.
This film provides a nuanced look at racial identity and the overlapping factors that influence it. It avoids presenting a uniform Black experience, instead showing how individuals navigate racial boundaries strategically to survive.
The film examines early 20th-century social structures through a critical lens. It portrays the era's rigid institutions as restrictive forces that demand the erasure of individuality.
There are no prominent depictions of visible or invisible disabilities that serve as central plot drivers within the narrative.
Present on Screen
Limited or Absent
Official Synopsis
In 1920s New York City, a Black woman finds her world upended when her life becomes intertwined with a former childhood friend who's passing as white.

2022

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1981

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1959

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1990
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