The film lacks any explicit evidence of non-heteronormative identities or queer narratives. The plot focuses entirely on supernatural mechanics and ritualistic horror.

A group of students serves as the primary ensemble for the plot. While the gender dynamics of this group are not detailed, the ensemble structure allows for varied representation.

As a Taiwanese production, the film centers an East Asian perspective. It utilizes regional folklore to move away from standard Anglo-centric horror tropes.

The story explores the friction between modern architectural progress and traditional spiritualism. It highlights the consequences of disrupting established cultural boundaries through dark rituals.

There is no indication of characters with visible or invisible disabilities within the narrative. The focus remains on the supernatural elements.