The film lacks evidence of LGBTQ+ characters or narratives that critique heteronormativity. The focus remains strictly on the horror mechanics of a portal to Hell.

While the ensemble of high school friends suggests variety, there is no documented subversion of traditional gender hierarchies. Roles appear to follow standard survival tropes.

As an Indonesian production, the film provides a non-Western majority cast. This setting naturally disrupts the demographic homogeneity often found in Hollywood horror.

The story utilizes local folklore and supernatural elements common in Southeast Asian horror. It focuses on contemporary digital culture through the lens of livestreaming.

There is no mention of characters with visible or invisible disabilities. No such identities are presented as having agency within the narrative.