
Evil Within
2025

2024
Director
Jimina Sabadú
Runtime
91 minutes
Average Rating
No ratings yetSynopsis
Juana is a nun with a strong character marked by a paranormal experience. A mysterious order from the Archbishopric will take her to an old church in old Madrid, built on a network of passageways of unknown origin. There, Juana will discover that in the bowels of the building there is something prior to the legends that are explained about that place. And the Evil that lives there has begun to infect the exterior.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film provides a foundation for identity-driven agency through its strong female lead. While specific non-cisnormative identities are not explicitly detailed, the director's history suggests potential for exploring gendered subversions.
Gender Representation
Juana serves as a central agent of discovery, disrupting conventional hierarchies. The story centers female resilience and intellect rather than a male-led investigation into the supernatural.
Racial & Ethnic Diversity
The setting in old Madrid suggests a localized historical context. Without specific casting details, the film reflects a baseline for European-centric period horror.
Religious & Cultural Diversity
The narrative critiques organized religion by framing evil as something existing prior to religious legends. It suggests a skepticism toward institutional authority and dogma.
Disability Representation
There is no explicit mention of characters with visible or invisible disabilities within the narrative.
Strengths
Areas for Improvement
AI Analysis
Anatema utilizes the horror genre to challenge traditional social structures and religious authority. By centering on Juana, a nun with a strong character, the film moves away from the trope of the passive religious victim. The film's strength lies in its potential to deconstruct patriarchal institutions. The setting of an ancient Madrid church serves as a landscape for exploring the tension between organized religion and primordial, systemic truths. However, the lack of specific information regarding cast composition or disability representation limits a full assessment of its inclusivity. The focus remains primarily on institutional critique and gendered agency.

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