
Obey Giant
2017

2019
Not RatedDirector
Boris Mitić
Runtime
80 minutes
Average Rating
No ratings yetSynopsis
A feelgood documentary about Nothing, in which Nothing, tired of being misunderstood, tries to defend its cause. Filmed worldwide by 100+ complementary DoPs, scored by cabaret grandmasters Pascal Comelade & The Tiger Lillies, narrated - in simple childish verse - by Iggy Pop.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film's abstract focus on 'Nothing' avoids traditional romantic arcs. However, its avant-garde aesthetics and cabaret-style scoring align with queer performance traditions, subtly challenging heteronormative social structures.
Gender Representation
By centering on a philosophical concept rather than human protagonists, the film bypasses standard tropes of masculine leadership or feminine domesticity. This approach effectively neutralizes traditional gendered power dynamics.
Racial & Ethnic Diversity
A decentralized filmmaking model employing over 100 cinematographers worldwide creates a diverse visual tapestry. This globalized approach avoids a singular, Western-centric gaze in favor of a multi-perspectival view.
Religious & Cultural Diversity
The narrative critiques capitalist obsession with accumulation by personifying 'Nothing.' Using simple, childish verse for narration dismantles institutionalized communication in favor of a more fluid, anti-establishment mode of truth.
Disability Representation
The film provides no evidence regarding the portrayal of specific disabilities or neurodivergent characters.
Strengths
Areas for Improvement
AI Analysis
In Praise of Nothing is an experimental documentary that replaces human-centric storytelling with philosophical abstraction. It avoids traditional social hierarchies by focusing on a concept rather than specific character identities. The film's strength lies in its globalized production, utilizing a massive, decentralized crew to ensure a non-homogeneous aesthetic. This prevents the work from falling into a purely Western-centric perspective. While the film succeeds in deconstructing materialist values and gendered tropes, it lacks specific depictions of identity or disability. The abstract nature of the subject matter limits the visibility of concrete social representations.

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