The film features personified abstractions of temporal cycles rather than sentient beings with social identities. As non-human entities, there is no depiction of sexual orientation or gender identity.

Characters function as gender-neutral personifications. By avoiding the gender binary entirely, the narrative bypasses traditional patriarchal or matriarchal tropes without actively subverting hierarchies.

The stylized, non-human aesthetic places characters outside racial or ethnic categorization. This approach avoids racial stereotyping but lacks intersectional color palettes or diverse casting.

The story promotes cognitive pluralism through different perspectives of the same world. However, it remains apolitical and does not engage with religious or systemic critiques.

There are no depictions of physical, sensory, or neurodivergent traits. The characters are idealized personifications of environmental phenomena, leaving no room for disability representation.