
Inadequate People
2010

2002
RDirector
Jeffrey Porter
Runtime
96 minutes
Average Rating
No ratings yetSynopsis
Teenager Jones has opted not to go to college and is instead renting a room in a boarding house to work on his writing skills. Soon, Jones finds himself dividing his time between two women: a young actress named Lisa and a photographer named Jane. After Jane's ex-boyfriend arrives to help her recover from a car accident, Jones begins to understand just how much he cares for her.
Overall Score
Limited
Category Breakdown
The story centers on a traditional romantic triangle between a male lead and two women. There is no evidence of non-cisnormative identities or narratives that challenge heteronormativity.
Female characters Lisa and Jane serve as emotional catalysts for the male protagonist. While they hold professional roles, the narrative focus remains on the male lead's personal journey.
The available information provides no details regarding the racial or ethnic composition of the cast. Consequently, the diversity of the characters' backgrounds cannot be determined.
The plot follows a young man pursuing creative writing outside of college. However, the themes align with standard Western tropes of individualistic emotional growth and romance.
A character's recovery from a car accident introduces physical vulnerability. It remains unclear if this provides genuine representation or simply serves as a device for romantic tension.
Strengths
Areas for Improvement
Score Reasoning
Try Seventeen follows a conventional romantic-drama structure that prioritizes a male protagonist's emotional evolution. The narrative relies on a standard triangle involving two female interests, which limits the scope of the character dynamics. While the film introduces professional roles for women and a plot point involving physical recovery, these elements appear to function as traditional tropes. The story lacks evidence of intersectional complexity or a disruption of social hierarchies. Ultimately, the film adheres to mainstream independent production patterns, focusing on individualistic growth rather than exploring diverse cultural or systemic perspectives.
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