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The Stone Flower

Name: The Stone Flower
Director: Aleksandr Ptushko
Released: 1946
Duration: 78 min

Representation Score

2.7/10

Limited

1946

Director

Aleksandr Ptushko

Runtime

78 minutes

Average Rating

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New Showbiz Analysis

The Stone Flower is a celebration of craftsmanship and the working class. It highlights the spiritual value of skill and presents a strong, independent female character. However, the film lacks modern diversity, focusing on a homogeneous ethnic background and traditional gender roles. The narrative adheres to the cultural context of mid-century Russian fairy tales, limiting its scope in terms of contemporary representation.

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Category Breakdown

Does The Stone Flower have LGBTQ+ representation?

Minimal

The film follows traditional folkloric archetypes and contains no depictions of LGBTQ+ identities or same-sex intimacy.

How does The Stone Flower portray gender?

Fair

The film features a powerful female character with significant influence, but it also relies on traditional gender roles and romantic archetypes.

How racially and ethnically diverse is The Stone Flower?

Limited

The cast is made up of actors who reflect the specific historical and folkloric Russian setting of the Ural Mountains, without racial or ethnic diversity.

How does The Stone Flower represent religion and culture?

Good

The film celebrates the dignity of labor and the mastery of craft, using a secular, mythic folklore rather than organized religious institutions.

Does The Stone Flower include disability representation?

Minimal

The film does not prominently depict physical or neurodivergent disabilities that play a central role in the plot.

Present on Screen

The film showcases a powerful, independent female character with significant influence.
It provides a meaningful celebration of the dignity of labor and the mastery of craft.
The narrative emphasizes spiritual and professional fulfillment through skill.

Limited or Absent

The film lacks representation of LGBTQ+ identities or non-traditional gender expressions.
The cast is ethnically homogeneous, lacking diversity.
The story relies on traditional romantic archetypes that limit gender subversion.

Official Synopsis

Little Danila was the most inquisitive apprentice of old Prokopich, a famous stone-carving master. Like his teacher, the grown-up Danila has learned to feel the soul of his material and became an expert in handling rare precious stones found in the Ural Mountains. One day he met the Mistress of the Copper Mountain, a fairy who ordered for herself an unusual stone flower.

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