
Born
2007

Representation Score
Limited
2012
RDirector
Jared Cohn
Runtime
85 minutes
Average Rating
No ratings yetNew Showbiz Analysis
12/12/12 is a conventional horror piece that prioritizes supernatural clichés over social deconstruction. The narrative structure adheres to traditional frameworks regarding family and morality. The film centers on a singular, biological horror event centered on a maternal figure. This approach limits opportunities for storytelling that reflect multiple aspects of identity or the subversion of established social hierarchies. Ultimately, the work functions as a standard genre entry, lacking intentional progressive narrative structures or diverse representation.
Category Breakdown
The film focuses on a traditional maternal horror structure and does not include any non-straight or non-cisgender identities or narratives that question the assumption that everyone is straight or cisgender.
The story relies on traditional gender roles, particularly the mother as protector. While the female protagonist plays a significant role in driving the story, her actions remain within a conventional domestic context.
The narrative lacks indications of a diverse or non-Anglo-Saxon majority cast. It appears to follow standard, homogeneous genre conventions common in low-budget horror.
The film utilizes a traditional supernatural framework involving Hell, aligning with a singular religious morality rather than secularism or moral relativism.
There is no evidence of characters with visible or invisible disabilities. No such representation is used as a plot device.
Present on Screen
Limited or Absent
Official Synopsis
When baby Sebastian is born on 12/12/12 everyone around him starts to die. Soon, his mother realizes that her son is the spawn of Hell.

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