The film lacks evidence of queer characters or non-cisnormative identities. The plot centers on a heteronormative biological premise without any indication of LGBTQ+ agency.

While centered on a female protagonist, Mary Elizabeth's autonomy is stripped by a supernatural force. The film uses possession rather than a critique of gendered social structures.

There is no mention of a diverse cast or non-Anglo-Saxon perspectives. The narrative focuses on a singular experience lacking racial or ethnic complexity.

The story follows standard horror conventions of good versus evil. It avoids religious morality by framing the entity as a demon but lacks broader cultural critique.

No characters with physical or neurodivergent disabilities are portrayed with agency. The protagonist's loss of bodily control serves as a body horror trope rather than a nuanced exploration.