
Being the Queen
2020

2017
Director
Yann L'Hénoret
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Deputy General Secretary at the Elysée to candidate for the presidency of the Republic, the novice in politics went from the shadows to the light in a very short time. For 200 days, our cameras followed him behind the scenes of his campaign and his exceptional ascent. For eight months we were the only ones allowed to follow the candidate Emmanuel Macron with our camera behind the scenes of this exceptional campaign. From the announcement of his candidature until his election on May 7, we propose you an exclusive documentary allowing you to live from inside the campaign of Emmanuel Macron in the manner of a political thriller.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The documentary focuses strictly on the professional and political ascent of Emmanuel Macron. There is no evidence of LGBTQ+ characters or narratives exploring non-heteronormative identities.
Gender Representation
Central agency and leadership roles are concentrated around the male candidate. While female staffers likely appear, the film reinforces traditional political leadership structures.
Racial & Ethnic Diversity
The film's focus on a mainstream political inner circle suggests a lack of emphasis on intersectional or non-white majority dynamics. The subjects reflect the existing political landscape of the era.
Religious & Cultural Diversity
The film portrays the mechanisms of the French Republic and the presidency. It provides an observational look at state power rather than critiquing Western institutions.
Disability Representation
There is no documented evidence regarding the portrayal of individuals with physical or neurodivergent disabilities within the film's context.
Strengths
Areas for Improvement
AI Analysis
This documentary functions as an observational political thriller, prioritizing institutional access and the mechanics of a presidential campaign. The narrative architecture is built around the singular trajectory of a male political figure, which naturally limits the scope of identity-driven storytelling. Because the film documents a specific moment in French political history, the representation of various groups is dictated by the existing power structures of the time. This results in a focus on procedural legitimacy and state power rather than the subversion of social hierarchies. Ultimately, the film serves as a behind-the-scenes look at a standard political ascent. It lacks the breadth required to explore intersectional identities or diverse social perspectives, remaining tethered to the traditional corridors of government.

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