
The Wrong Student
2017

Representation Score
Limited
2020
Director
David DeCoteau
Runtime
87 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film functions as a conventional genre thriller that prioritizes plot-driven tension over social representation. It relies heavily on established clichés of romantic obsession and familial conflict within a standard Western context. While the character of Devan disrupts the passive female archetype, the film remains tied to traditional romantic and familial dynamics. It does not attempt to deconstruct systemic hierarchies or engage with progressive social values. Ultimately, the work maintains a traditionalist framework. It focuses on individual motivations and localized conflicts rather than providing multi-layered depth or diverse perspectives.
Category Breakdown
The film focuses on a heterosexual relationship between Jon and Devan. It does not include characters with non-binary gender identities or narratives that challenge traditional romantic relationships.
Devan subverts traditional gender roles by being the aggressive pursuer in the plot. However, this active role supports thriller clichés rather than critiquing broader gender hierarchies.
The story centers on a specific family's interpersonal conflict. There is no indication of a diverse cast or intentional use of multi-layered casting.
The narrative follows traditional Western social structures such as the nuclear family and high school hierarchies. It does not engage with anti-Western or anti-religious sentiments.
There is no evidence of characters with physical, neurodivergent, or mental health disabilities. Disability is not used as a thematic or character-driven element.
Present on Screen
Limited or Absent
Official Synopsis
When Jon and his daughter Hanna move from Chicago to California to start a new life after the passing of Hanna’s mom, they are delighted when the head cheerleader coach, Ms. Burke, invites Hanna to join the squad. When the new assistant coach, Devan, offers private cheer lessons, it turns out that she is interested in more than helping Hanna – she has set her sights on Jon and will stop at nothing to get what she wants.

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