
Local Color
2008

Representation Score
Limited
2019
TV-14Director
Rob Margolies
Runtime
100 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Yes (2019) is a character-driven drama that excels in subverting traditional interpersonal hierarchies. By focusing on the evolving relationship between a former child star and a teenager, the film moves beyond typical mentorship dynamics into more complex, intimate territory. The film successfully challenges traditional masculine roles and social expectations. It avoids the cliché of the stoic, successful mentor, opting instead to explore psychological vulnerability and blurred ethical boundaries. However, the film's diversity profile is limited by a lack of visible representation in other key areas. Without information on racial or disability inclusion, the narrative's impact is primarily focused on its exploration of gendered vulnerability and unconventional intimacy.
Category Breakdown
The film shifts focus from a mentor-mentee relationship to an intimate connection between two male characters, exploring non-traditional forms of intimacy.
The narrative highlights male vulnerability and psychological fragility, moving away from traditional masculine stereotypes.
There is no information available regarding the racial composition of the cast. The film's ethnic diversity remains unverified.
The story prioritizes individual psychological truth over established social norms, examining ethical boundaries in a transgressive relationship.
The provided material contains no documentation regarding the portrayal of physical, neurodivergent, or mental health disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Based on Tim Realbuto's critically acclaimed Off-Broadway play, YES tells the story of washed up child star Patrick Nolan who decides to mentor 17-year-old Jeremiah Rosenhaft. What begins as an innocent acting lesson turns into something much more intimate between two surprisingly common minds.

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