You are here:

Another Piece of Romance

Name: Another Piece of Romance
Director: Yuen-yang Lu
Released: 1994
Duration: 91 min

Representation Score

5.3/10

Fair

1994

Director

Yuen-yang Lu

Runtime

91 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Another Piece of Romance disrupts traditional domestic hierarchies through its narrative. It grants a significant role in driving the story to its female protagonists, transforming them from passive wives to active agents of justice. This subversion of the submissive female cliché provides a progressive narrative structure. However, the film's diversity is uneven. While it offers a strong critique of marital power dynamics, it lacks explicit LGBTQ+ representation and does not feature characters with disabilities. The Thai setting provides a non-Western backdrop, but the predominantly Hong Kong-based cast suggests the location serves more as a stylistic choice than a deep cultural exploration.

Watch this, not that →

Category Breakdown

Does Another Piece of Romance have LGBTQ+ representation?

Limited

The film focuses on domestic conflicts between married couples, with no visible representation of non-straight or non-cisgender identities.

How does Another Piece of Romance portray gender?

Good

The movie centers on women who actively plot against their husbands, shifting them from passive roles to active agents of retribution.

How racially and ethnically diverse is Another Piece of Romance?

Fair

Set in Thailand, the film features a non-Western backdrop but is primarily acted by Hong Kong-based actors, indicating a transnational production style.

How does Another Piece of Romance represent religion and culture?

Good

The story critiques patriarchal marriage structures by presenting them as oppressive environments, using a specific cultural setting to explore situational ethics and revenge.

Does Another Piece of Romance include disability representation?

Minimal

There are no visible or central representations of disabilities in the film.

Present on Screen

Transforms passive female roles into active agents of retribution.
Challenges the cliché of the submissive female protagonist.
Critiques patriarchal marital structures as oppressive environments.

Limited or Absent

Lacks explicit representation of LGBTQ+ identities.
Does not include characters with disabilities.
The Thai setting feels more like a stylistic choice than a deep cultural exploration.

Official Synopsis

Neglected women, all married to a bunch of lecherous brothers, plot to cut off their penises. The story, appropriately, is set in Thailand, where such revenge is practically a national sport

How are these scores produced? →