
The Skywalk Is Gone
2003

Representation Score
Good
2017
Director
Huang Hsin-yao
Runtime
102 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Great Buddha+ is a sophisticated exploration of socioeconomic marginalization that emphasizes class realism over identity politics. It successfully elevates the experiences of those at the periphery of the modern economy, challenging typical cinematic focuses on the middle class. However, the film struggles with gender and LGBTQ+ representation. Female characters are often reduced to objects of the male gaze, and there is a lack of meaningful queer perspectives. Ultimately, the film's strength lies in its cultural critique of Westernized materialism and the spiritual void created by rapid modernization in Taiwan.
Category Breakdown
The film does not include any intentional LGBTQ narratives or diverse gender identities. Intimacy in the film is confined to heterosexual relationships.
The story primarily centers around the male experience of work and stagnation. Women are often portrayed through dash-cam footage as objects of the male gaze, with limited influence over their own lives.
The film highlights the lives of 'invisible' workers such as security guards and trash collectors, offering a detailed look at the socioeconomic spectrum in Taiwan.
The film critiques the conflict between traditional spirituality and modern capitalism. A Buddha statue symbolizes the moral ambiguity of human actions.
The film does not explicitly address physical or neurodivergent disabilities. However, it portrays a strong sense of social and psychological isolation among its characters.
Present on Screen
Limited or Absent
Official Synopsis
Security guard Pickle and his trash collector friend Belly Button kill time together in night shifts watching the American-educated boss's dash-cam recordings of his various sexual encounters with women. Against the buddies' will, something horrifying rather than erotic reveals.

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